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This thing was constructed on September 28, 2008, and it was categorized as death, poetry, sound.
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The other night, in conversation, I started quoting John Donne’s “From the round earth’s imagined corners” etc. Donne always was a poet of the grave. His “Meditations Upon Emergent Occasions” have been called an “existential soap opera”. Holy Sonnet XIV, “Batter My Heart, Three-Person’d God” might well be a Chöd song, in the way it tries to resolve fear and redemption through paradox:

“Batter my heart, three-person’d God, for you 
As yet but knock, breathe, shine, and seek to mend; 
That I may rise and stand, o’erthrow me, and bend 
Your force to break, blow, burn, and make me new. 

I, like an usurp’d town to another due, 
Labor to admit you, but oh, to no end; 
Reason, your viceroy in me, me should defend, 
But is captiv’d, and proves weak or untrue. 
Yet dearly  I love you, and would be lov’d fain, 
But am betroth’d unto your enemy; 

Divorce me, untie or break that knot again, 
Take me to you, imprison me, for I, 
Except you enthrall me, never shall be free, 
Nor ever chaste, except you ravish me.”

This sonnet was used in John Adam’s “Doctor Atomic, and is sung by “Robert Oppenheimer”, when he realizes the reality of what he has created. 

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